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Beneath the Roses
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From Publishers Weekly
In these 49 elaborately staged photographs, Crewdson (Twilight) reveals his vision of America in lush and brooding images of dusk, each one bristling with atmosphere: a young boy stares at a naked woman standing in the open door of her trailer; a woman, observed through a motel window, looks at a baby sleeping on the bed; a man stands in a deserted intersection in the rain, his car door open behind him. Although Crewdson's work is frequently interpreted cinematically, and stylistic comparisons are drawn between him and David Lynch and Wes Anderson, in the book's preface, writer Banks argues that analogies to the movies do the photographer a disservice. According to Banks, looking at Crewdson's photographs resembles reading fiction more than anything else; it is not a passive experience (such as watching a movie) but an invitation to actively imagine alongside the artist. Crewdson's sets do boast the budgets and crew normally associated with movies, however, and this collection includes 23 extra pages of set drawings, location shots and images of the actors and props used to create the photographs—perfectly in keeping with a body of work that, as Banks states, tests the limits of realism while making no effort to disguise its artificiality. (May) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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About the Author
Gregory Crewdson is an internationally exhibited artist whose photographs are also the subject of Abrams’ Twilight. He teaches at the Yale University School of Art and lives in New York city.Russell Banks is an award-winning writer whose works of fiction include Affliction, The Sweet Hereafter, and The Darling. He has contributed essays to Vanity Fair, Harper’s, and many other publications. He lives in upstate New York.
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Product details
Hardcover: 140 pages
Publisher: Abrams; First Edition edition (March 1, 2008)
Language: English
ISBN-10: 0810993805
ISBN-13: 978-0810993808
Product Dimensions:
11.8 x 1 x 16.4 inches
Shipping Weight: 5 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
39 customer reviews
Amazon Best Sellers Rank:
#294,194 in Books (See Top 100 in Books)
One of the hallmarks of Crewdon's brilliant work is the astonishing detail and clarity. Alas, the company that printed this book doesn't share these same high standards. Muddy, is the term that best captures the reproduction quality throughout this book. As an admirer of Crewsdon's art and a firm believer that this may be one of e most important series of photos of its time, this book is "must have" for my library. I'm just disappointed that some of the artist's finest works have been compromised in print. 5 Star images: 1 Star Reproduction.
In his opening essay of this volume of photographs, Russell Banks describes the cinematic qualities of Crewdson's work; in particular, how "the pictures are assembled and staged." Though not necessarily immediately obvious in all of the individual pictures, after looking for awhile the viewer does begin to recognize the artificiality of the moments. This is not necessarily a bad thing, however. In many cases, particularly when the setting is an exterior, it works very well. The eye searches out the odd detail in the landscape. In the interiors, however, it seems to work less well. In these, the overall effect seems to be oddity and garishness.More interesting is the theme of isolation that runs through these photos. Even in the shots where more than one person is present, each seems trapped inside their own space. Raised to an even higher degree in some of the wide exteriors, you end up searching out the individual who is nearly swallowed up by the rest of the picture. Perhaps it is that very searching quality required by some of the photographs that makes them the most moving of the group.When I first received this book, I wasn't sure if I would like it. I was first put off by the unwieldiness of its size--bigger than a normal volume and wider than it is high. As I looked through the photographs and grew to like many of them, I realized the importance of the book's size and shape--to take advantage of the movie aspect ratio Crewdson uses as well as the need for as much space as possible in his wide, detailed exterior shots.In fact, I went to see a gallery presentation of some of the photographs in this volume. The prints hanging on the wall were large, perhaps six feet or more wide, which I thought did much better justice to Crewdson's work. I found this experience to be of great benefit. When I came home and looked through the book again, I was moved to look even more closely at some of the pictures, seeking out that isolation and detail.Still, as I said, I think Crewdson's work is uneven. The exteriors, for the most part, greatly outdo the interiors and there is a tendency towards a garishness I don't like in some of his work. However, when he hits the right notes, his landscapes are as beautiful and interesting as anything I've seen.
I love Crewdson's work, I will eventually have every book he publishes. If you like this genre of photography, this is a must have. Yes, sometimes, the color of the printing is a little muddy and the paper isn't as bright as I would have expected for the price, but the content and reading experience are priceless.
Is a beautiful book of one of the most important photographers. Is inspiring and the last part of the book is interesting. We can see the "behind the scenes" of many of these pictures.
There are several books that contain Crewdson's cinematic photography, and I think that most people would agree that this one is the best so far.In his other books, people have complained that the images were not large enough. This book has larger images. The book contains 49 plates, which measure about 14.5" x 9.5"The book also has photographs and sketches of a lot of the work that went into the final photographs, such as set design, lighting, props, and more.Some of the photos in this book are also in the book "1985-2005", but they are larger in this book.The book still doesn't come close to capturing how breathtaking his full-size 4' x 5' photographs are, but it does a better job than any of his other books. It would make a great addition to any photography book collection.
Just buy it immediately - it's magnificent!
I was not familiar with the photographer Gregory Crewdson until I recently watched the documentary film Beneath the Roses (2005), which takes you on a journey to understand the beauty of this photographer's mind and artistic process. I was so engaged with the film I just had to order his book Beneath the Roses. I love the pictures. Worth the purchase.
Fantastic, can't wait to get Crewdson's other projects. I love the fact that they included production still at the end. I had already watched his documentary. The only problem I seem to be having with this book is that it's the size of a small table top and it's sticking out of the shelf like an open car door in the middle of traffic, but I can't imagine having the photographs in any size smaller than this.
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