Download Guillermo del Toro's The Devil's Backbone, by Matt Zoller Seitz
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Guillermo del Toro's The Devil's Backbone, by Matt Zoller Seitz
Download Guillermo del Toro's The Devil's Backbone, by Matt Zoller Seitz
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About the Author
Matt Zoller Seitz is the editor-in-chief of RogerEbert.com, the TV critic for New York Magazine, the author of The Wes Anderson Collection and The Oliver Stone Experience, and the co-author of TV (The Book). He is based in New York City. Simon Abrams is a New York–based film critic and regular contributor to the Village Voice, RogerEbert.com, and Vulture. He has written about horror movies, comics, and opera for the New York Times, Nashville Scene, LA Weekly, and other outlets.
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Product details
Hardcover: 160 pages
Publisher: Insight Editions (November 28, 2017)
Language: English
ISBN-10: 168383108X
ISBN-13: 978-1683831082
Product Dimensions:
9.2 x 0.8 x 11 inches
Shipping Weight: 2.8 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
2 customer reviews
Amazon Best Sellers Rank:
#822,624 in Books (See Top 100 in Books)
Wonderfully written and full of information I had not read before.
My research on Guillermo del Toro’s art has taken me to a host of scholarly volumes as well as handsome, oversized making-of-the-film tributes. In this study, though, I find the volume that most successfully combines those two drives.Messrs. Seitz and Abrams investigate technique, script & camera challenges and joys, the tragedies of Spanish history, filmic influences, psychology behind casting, and just how some of the most iconic images in 21st Century war & ghost cinema came about.The book features an abundance of storyboards and behind-the-scenes makeup SFX, as well as revealing essays from principal cast & crew. Probably my favorite parts are the inserted biographies del Toro wrote for key characters (unavailable elsewhere, as far as I know) and the lengthy interviews with del Toro that go far and deep under Seitz’s thoughtful questioning. For instance, rather than mere generalisms, you will learn the challenge of dealing with colors (reds and browns are terrors) and how “dinkies†helped light those painterly compositions in _The Devil’s Backbone_, among other filmmaking nitty gritty.But beware: if you buy this as a gift for your friends-in-del Toro, you just may end keeping it for yourself. I’m not admitting that I did; I’m just saying that it could happen.
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